His answer: "Yes, but you look so much different in Technicolor!" Donald Duck appears on the camera stand to help explain the mechanics of animation and animation photography. The ink-and-paint department, including a Technicolor-showcasing montage of the paint department. The maquette-making department, which makes maquettes (small statues) to help the animators envision a character from all sides.Doris presents a completed cel of the titular character from Bambi. Some of the maquettes on display included Aunt Sarah, Si, and Am from Lady and the Tramp and Peter, Captain Hook, Tinker Bell, Mr. Smee, John and Michael Darling from Peter Pan both films were in development at this time, but would be delayed by World War II and not completed until the 1950s. Also on display is a black zebra centaurette from Fantasia, which Benchley admires.
The storyboard department, where a group of storymen (one of whom is portrayed by Alan Ladd) test their idea for a new short on Benchley: Baby Weems.The employee on duty makes Benchley a maquette of himself, which many years later was purchased and owned by Warner Bros.
The story is shown to the audience in the form of an animatic, or a story reel, using limited animation. The room of animators Ward Kimball, Fred Moore, and Norm Ferguson.Loaned out by 20th Century Fox to direct this film, Alfred Werker later became the first outside film director to use the storyboard, which the Disney staff had developed from previous illustrated scripts during the early 1930s.
0 kommentar(er)
